Debates about the material, visual and perceptual aspects of inscriptions, and concerning interactions between verbal and pictorial modes of representation have been particularly vibrant in recent years. This essay contributes to such discussions by exploring how the epigraphic apparatus of the chapel of Sant’Isidoro in San Marco, Venice, functioned as a source of historical verification and of religious and political validation.
Inscribing history, (over)writing politics: word and image in the chapel of Sant’Isidoro at San Marco, Venice
Gerevini, Stefania
2019
Abstract
Debates about the material, visual and perceptual aspects of inscriptions, and concerning interactions between verbal and pictorial modes of representation have been particularly vibrant in recent years. This essay contributes to such discussions by exploring how the epigraphic apparatus of the chapel of Sant’Isidoro in San Marco, Venice, functioned as a source of historical verification and of religious and political validation.
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