Today, the question at stake for the '68 Triennale seems to relate more clearly to the failure of an "open" and "received" form for questioning architecture - that is, the exhibition model itself. Given the scale and cope of the exhibits, was the Triennale of May '68 more the beginning of the end of grand narratives that the last act visualizing a modernist Utopia in art and architecture?

Beyond the Failure:Notes on the XIVth Triennale

NICOLIN, PAOLA
2008

Abstract

Today, the question at stake for the '68 Triennale seems to relate more clearly to the failure of an "open" and "received" form for questioning architecture - that is, the exhibition model itself. Given the scale and cope of the exhibits, was the Triennale of May '68 more the beginning of the end of grand narratives that the last act visualizing a modernist Utopia in art and architecture?
2008
8780981553429
Cinthya Davidson
LOG 13 14: Aftershocks: generation(s) since 1968
Nicolin, Paola
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11565/3715641
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