Through the discovery of the inventory of the possessions owned by Abbot Pieran- tonio Serassi (1721-1791), this contribution intends to reconstruct the vicissitudes of the Ber- gamasque man of letters focusing, in particular, on the artistic works belonging to Serassi, the Tasso effigies and the problem of his portraits that have been preserved until today. The cir- cumstances connect Serassi to the erudite Roman milieu of the late XVIIIth century, in which Cardinal Francesco Carrara, the Duke of Ceri, the painter Giovanni Battista Dell’Era and the sculptor Vincenzo Pacetti, who created his sepulchral monument, also gravitated.
L’inventario dei beni di Pierantonio Serassi (1721-1791): il patrimonio, l’eredità e alcune questioni di ritrattistica
Serati, Ilaria
2023
Abstract
Through the discovery of the inventory of the possessions owned by Abbot Pieran- tonio Serassi (1721-1791), this contribution intends to reconstruct the vicissitudes of the Ber- gamasque man of letters focusing, in particular, on the artistic works belonging to Serassi, the Tasso effigies and the problem of his portraits that have been preserved until today. The cir- cumstances connect Serassi to the erudite Roman milieu of the late XVIIIth century, in which Cardinal Francesco Carrara, the Duke of Ceri, the painter Giovanni Battista Dell’Era and the sculptor Vincenzo Pacetti, who created his sepulchral monument, also gravitated.
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