The paper presents Louise Bourgeois’s production on the theme of hysteria by analysing the artist’s writings and works, and through a reconstruction of her fundamental iconographic and historical sources.The essay argues how Bourgeois’ oeuvre elaborates on the one hand a critical stance towards the gendered construction of the history of hysteria as a female malady, and, on the other, it makes male hysteria visible, namely the unspoken in the history of the disease; a silence that influenced not only the understanding of a stereotyped version of femininity but also of a normative masculinity.

The subject of pain is the business I am in. Louise Bourgeois and the Iconography of hysteria: reclaiming the visibility of pain

Marta Equi Pierazzini
2019

Abstract

The paper presents Louise Bourgeois’s production on the theme of hysteria by analysing the artist’s writings and works, and through a reconstruction of her fundamental iconographic and historical sources.The essay argues how Bourgeois’ oeuvre elaborates on the one hand a critical stance towards the gendered construction of the history of hysteria as a female malady, and, on the other, it makes male hysteria visible, namely the unspoken in the history of the disease; a silence that influenced not only the understanding of a stereotyped version of femininity but also of a normative masculinity.
2019
2019
EQUI PIERAZZINI, Marta
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11565/4027063
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